A DOCTOR OF THE OLD SCHOOL
by Ian Maclaren
Project Gutenberg's A Doctor of the Old School, Part 5, by Ian Maclaren This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: A Doctor of the Old School, Part 5 Author: Ian Maclaren Release Date: August 9, 2004 [EBook #9319] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK A DOCTOR OF THE OLD SCHOOL, PART 5 *** Produced by Juliet Sutherland, David Widger and PG Distributed Proofreaders
It is with great good will that I write this short preface to the edition of "A Doctor of the Old School" (which has been illustrated by Mr. Gordon after an admirable and understanding fashion) because there are two things that I should like to say to my readers, being also my friends.
One, is to answer a question that has been often and fairly asked. Was there ever any doctor so self-forgetful and so utterly Christian as William MacLure? To which I am proud to reply, on my conscience: Not one man, but many in Scotland and in the South country. I will dare prophecy also across the sea.
It has been one man's good fortune to know four country doctors, not one of whom was without his faults—Weelum was not perfect—but who, each one, might have sat for my hero. Three are now resting from their labors, and the fourth, if he ever should see these lines, would never identify himself.
Then I desire to thank my readers, and chiefly the medical profession for the reception given to the Doctor of Drumtochty.
For many years I have desired to pay some tribute to a class whose service to the community was known to every countryman, but after the tale had gone forth my heart failed. For it might have been despised for the little grace of letters in the style and because of the outward roughness of the man. But neither his biographer nor his circumstances have been able to obscure MacLure who has himself won all honest hearts, and received afresh the recognition of his more distinguished brethren. From all parts of the English-speaking world letters have come in commendation of Weelum MacLure, and many were from doctors who had received new courage. It is surely more honor than a new writer could ever have deserved to receive the approbation of a profession whose charity puts us all to shame.
May I take this first opportunity to declare how deeply my heart has been touched by the favor shown to a simple book by the American people, and to express my hope that one day it may be given me to see you face to face.
IAN MACLAREN. Liverpool, Oct. 4, 1895.
Dr. MacLure was buried during the great snowstorm which is still spoken of, and will remain the standard of snowfall in Drumtochty for the century. The snow was deep on the Monday, and the men that gave notice of his funeral had hard work to reach the doctor's distant patients. On Tuesday morning it began to fall again in heavy, fleecy flakes, and continued till Thursday, and then on Thursday the north wind rose and swept the snow into the hollows of the roads that went to the upland farms, and built it into a huge bank at the mouth of Glen Urtach, and laid it across our main roads in drifts of every size and the most lovely shapes, and filled up crevices in the hills to the depth of fifty feet.
On Friday morning the wind had sunk to passing gusts that powdered your coat with white, and the sun was shining on one of those winter landscapes no townsman can imagine and no countryman ever forgets. The Glen, from end to end and side to side, was clothed in a glistering mantle white as no fuller on earth could white it, that flung its skirts over the clumps of trees and scattered farmhouses, and was only divided where the Tochty ran with black, swollen stream. The great moor rose and fell in swelling billows of snow that arched themselves over the burns, running deep in the mossy ground, and hid the black peat bogs with a thin, treacherous crust.
Beyond, the hills northwards and westwards stood high in white majesty, save where the black crags of Glen Urtach broke the line, and, above our lower Grampians, we caught glimpses of the distant peaks that lifted their heads in holiness unto God.
It seemed to me a fitting day for William MacLure's funeral, rather than summer time, with its flowers and golden corn. He had not been a soft man, nor had he lived an easy life, and now he was to be laid to rest amid the austere majesty of winter, yet in the shining of the sun. Jamie Soutar, with whom I toiled across the Glen, did not think with me, but was gravely concerned.
"Nae doot it's a graund sicht; the like o't is no gien tae us twice in a generation, an' nae king wes ever carried tae his tomb in sic a cathedral.
"But it's the fouk a'm conseederin', an' hoo they'll win through; it's hard eneuch for them 'at's on the road, an' it's clean impossible for the lave.
"They 'ill dae their best, every man o' them, ye may depend on that, an' hed it been open weather there wudna hev been six able-bodied men missin'.
"A' wes mad at them, because they never said onything when he wes leevin', but they felt for a' that what he hed dune, an', a' think, he kent it afore he deed.
"He hed juist ae faut, tae ma thinkin', for a' never jidged the waur o' him for his titch of rochness—guid trees hae gnarled bark—but he thotched ower little o' himsel'.
"Noo, gin a' hed asked him hoo mony fouk wud come tae his beerial, he wud hae said, 'They 'ill be Drumsheugh an' yersel', an' may be twa or three neeburs besides the minister,' an' the fact is that nae man in oor time wud hae sic a githerin' if it werena for the storm.
"Ye see," said Jamie, who had been counting heads all morning, "there's six shepherds in Glen Urtaeh—they're shut up fast; an' there micht hae been a gude half dizen frae Dunleith wy, an' a'm telt there's nae road; an' there's the heich Glen, nae man cud cross the muir the day, an' it's aucht mile round;" and Jamie proceeded to review the Glen in every detail of age, driftiness of road and strength of body, till we arrived at the doctor's cottage, when he had settled on a reduction of fifty through stress of weather.
Drumsheugh was acknowledged as chief mourner by the Glen, and received us at the gate with a labored attempt at everyday manners.
"Ye've hed heavy traivellin', a' doot, an' ye 'ill be cauld. It's hard weather for the sheep an' a'm thinkin' this 'ill be a feeding storm.
"There wes nae use trying tae dig oot the front door yestreen, for it wud hae been drifted up again before morning. We've cleared awa the snow at the back for the prayer; ye 'ill get in at the kitchen door.
"There's a puckle Dunleith men——-"
"Wha?" cried Jamie in an instant.
"Dunleith men," said Drumsheugh.
"Div ye mean they're here, whar are they?"
"Drying themsels at the fire, an' no withoot need; ane of them gied ower the head in a drift, and his neeburs hed tae pu' him oot.
"It took them a gude fower oors tae get across, an' it wes coorse wark; they likit him weel doon that wy, an', Jamie, man"—here Drumsheugh's voice changed its note, and his public manner disappeared—"what div ye think o' this? every man o' them has on his blacks."
"It's mair than cud be expeckit" said Jamie; "but whar dae yon men come frae, Drumsheugh?"
Two men in plaids were descending the hill behind the doctor's cottage, taking three feet at a stride, and carrying long staffs in their hands.
"They're Glen Urtach men, Jamie, for are o' them wes at Kildrummie fair wi' sheep, but hoo they've wun doon passes me."
"It canna be, Drumsheugh," said Jamie, greatly excited. "Glen Urtach's steikit up wi' sna like a locked door.
"Ye're no surely frae the Glen, lads?" as the men leaped the dyke and crossed to the back door, the snow falling from their plaids as they walked.
"We're that an' nae mistak, but a' thocht we wud be lickit ae place, eh, Charlie? a'm no sae weel acquant wi' the hill on this side, an' there wes some kittle (hazardous) drifts."
"It wes grand o' ye tae mak the attempt," said Drumsheugh, "an' a'm gled ye're safe."
"He cam through as bad himsel' tae help ma wife," was Charlie's reply.
"They're three mair Urtach shepherds 'ill come in by sune; they're frae Upper Urtach an' we saw them fording the river; ma certes it took them a' their time, for it wes up tae their waists and rinnin' like a mill lade, but they jined hands and cam ower fine." And the Urtach men went in to the fire. The Glen began to arrive in twos and threes, and Jamie, from a point of vantage at the gate, and under an appearance of utter indifference, checked his roll till even he was satisfied.
"Weelum MacLure 'ill hae the beerial he deserves in spite o' sna and drifts; it passes a' tae see hoo they've githered frae far an' near.
"A'm thinkin' ye can colleck them for the minister noo, Drumsheugh. A'body's here except the heich Glen, an' we mauna luke for them."
"Dinna be sae sure o' that, Jamie. Yon's terrible like them on the road, wi' Whinnie at their head;" and so it was, twelve in all, only old Adam Ross absent, detained by force, being eighty-two years of age.
"It wud hae been temptin' Providence tae cross the muir," Whinnie explained, "and it's a fell stap roond; a' doot we're laist."
"See, Jamie," said Drumsheugh, as he went to the house, "gin there be ony antern body in sicht afore we begin; we maun mak allooances the day wi' twa feet o' sna on the grund, tae say naethin' o' drifts."
"There's something at the turnin', an' it's no fouk; it's a machine o' some kind or ither—maybe a bread cart that's focht its wy up."
"Na, it's no that; there's twa horses, are afore the ither; if it's no a dogcairt wi' twa men in the front; they 'ill be comin' tae the beerial." "What wud ye sae, Jamie," Hillocks suggested, "but it micht be some o' thae Muirtown doctors? they were awfu' chief wi' MacLure."
"It's nae Muirtown doctors," cried Jamie, in great exultation, "nor ony ither doctors. A' ken thae horses, and wha's ahind them. Quick, man, Hillocks, stop the fouk, and tell Drumsheugh tae come oot, for Lord Kilspindie hes come up frae Muirtown Castle."
Jamie himself slipped behind, and did not wish to be seen.
"It's the respeck he's gettin' the day frae high an' low," was Jamie's husky apology; "tae think o' them fetchin' their wy doon frae Glen Urtach, and toiling roond frae the heich Glen, an' his Lordship driving through the drifts a' the road frae Muirtown, juist tae honour Weelum MacLure's beerial.
"It's nae ceremony the day, ye may lippen tae it; it's the hert brocht the fouk, an' ye can see it in their faces; ilka man hes his ain reason, an' he's thinkin' on't though he's speakin' o' naethin' but the storm; he's mindin' the day Weelum pued him out frae the jaws o' death, or the nicht he savit the gude wife in her oor o' tribble.
"That's why they pit on their blacks this mornin' afore it wes licht, and wrastled through the sna drifts at risk o' life. Drumtochty fouk canna say muckle, it's an awfu' peety, and they 'ill dae their best tae show naethin', but a' can read it a' in their een.
"But wae's me"—and Jamie broke down utterly behind a fir tree, so tender a thing is a cynic's heart—"that fouk 'ill tak a man's best wark a' his days without a word an' no dae him honour till he dees. Oh, if they hed only githered like this juist aince when he wes livin', an' lat him see he hedna laboured in vain. His reward has come ower late".
During Jamie's vain regret, the castle trap, bearing the marks of a wild passage in the snow-covered wheels, a broken shaft tied with rope, a twisted lamp, and the panting horses, pulled up between two rows of farmers, and Drumsheugh received his lordship with evident emotion.
"Ma lord ... we never thocht o' this ... an' sic a road."
"How are you, Drumsheugh? and how are you all this wintry day? That's how I'm half an hour late; it took us four hours' stiff work for sixteen miles, mostly in the drifts, of course."
"It wes gude o' yir lordship, tae mak sic an effort, an' the hale Glen wull be gratefu' tae ye, for ony kindness tae him is kindness tae us."
"You make too much of it, Drumsheugh," and the clear, firm voice was heard of all; "it would have taken more than a few snow drifts to keep me from showing my respect to William MacLure's memory." When all had gathered in a half circle before the kitchen door, Lord Kilspindie came out—every man noticed he had left his overcoat, and was in black, like the Glen—and took a place in the middle with Drumsheugh and Burnbrae, his two chief tenants, on the right and left, and as the minister appeared every man bared his head.
The doctor looked on the company—a hundred men such as for strength and gravity you could hardly have matched in Scotland—standing out in picturesque relief against the white background, and he said:
"It's a bitter day, friends, and some of you are old; perhaps it might be wise to cover your heads before I begin to pray."
Lord Kilspindie, standing erect and grey-headed between the two old men, replied:
"We thank you, Dr. Davidson, for your thoughtfulness; but he endured many a storm in our service, and we are not afraid of a few minutes' cold at his funeral."
A look flashed round the stern faces, and was reflected from the minister, who seemed to stand higher.
His prayer, we noticed with critical appreciation, was composed for the occasion, and the first part was a thanksgiving to God for the life work of our doctor, wherein each clause was a reference to his services and sacrifices. No one moved or said Amen—it had been strange with us—but when every man had heard the gratitude of his dumb heart offered to heaven, there was a great sigh.
After which the minister prayed that we might have grace to live as this man had done from youth to old age, not for himself, but for others, and that we might be followed to our grave by somewhat of "that love wherewith we mourn this day Thy servant departed." Again the same sigh, and the minister said Amen. The "wricht" stood in the doorway without speaking, and four stalwart men came forward. They were the volunteers that would lift the coffin and carry it for the first stage. One was Tammas, Annie Mitchell's man; and another was Saunders Baxter, for whose life MacLure had his great fight with death; and the third was the Glen Urtach shepherd for whose wife's sake MacLure suffered a broken leg and three fractured ribs in a drift; and the fourth, a Dunleith man, had his own reasons of remembrance.
"He's far lichter than ye wud expeck for sae big a man—there wesna muckle left o' him, ye see—but the road is heavy, and a'il change ye aifter the first half mile."
"Ye needna tribble yersel, wricht," said the man from Glen Urtach; "the'll be nae change in the cairryin' the day," and Tammas was thankful some one had saved him speaking.
Surely no funeral is like unto that of a doctor for pathos, and a peculiar sadness fell on that company as his body was carried out who for nearly half a century had been their help in sickness, and had beaten back death time after time from their door. Death after all was victor, for the man that had saved them had not been able to save himself.
As the coffin passed the stable door a horse nieghed within, and every man looked at his neighbour. It was his old mare crying to her master.
Jamie slipped into the stable, and went up into the stall.
"Puir lass, ye're no gaen' wi' him the day, an' ye 'ill never see him again; ye've hed yir last ride thegither, an' ye were true tae the end."
After the funeral Drumsheugh came himself for Jess, and took her to his farm. Saunders made a bed for her with soft, dry straw, and prepared for her supper such things as horses love. Jess would neither take food nor rest, but moved uneasily in her stall, and seemed to be waiting for some one that never came. No man knows what a horse or a dog understands and feels, for God hath not given them our speech. If any footstep was heard in the courtyard, she began to neigh, and was always looking round as the door opened. But nothing would tempt her to eat, and in the night-time Drumsheugh heard her crying as if she expected to be taken out for some sudden journey. The Kildrummie veterinary came to see her, and said that nothing could be done when it happened after this fashion with an old horse.
"A've seen it aince afore," he said. "Gin she were a Christian instead o' a horse, ye micht say she wes dying o' a broken hert."
He recommended that she should be shot to end her misery, but no man could be found in the Glen to do the deed and Jess relieved them of the trouble. When Drumsheugh went to the stable on Monday morning, a week after Dr. MacLure fell on sleep, Jess was resting at last, but her eyes were open and her face turned to the door.
"She wes a' the wife he hed," said Jamie, as he rejoined the procession, "an' they luved ane anither weel."
The black thread wound itself along the whiteness of the Glen, the coffin first, with his lordship and Drumsheugh behind, and the others as they pleased, but in closer ranks than usual, because the snow on either side was deep, and because this was not as other funerals. They could see the women standing at the door of every house on the hillside, and weeping, for each family had some good reason in forty years to remember MacLure. When Bell Baxter saw Saunders alive, and the coffin of the doctor that saved him on her man's shoulder, she bowed her head on the dyke, and the bairns in the village made such a wail for him they loved that the men nearly disgraced themselves.
"A'm gled we're through that, at ony rate," said Hillocks; "he wes awfu' taen up wi' the bairns, conseederin' he hed nane o' his ain."
There was only one drift on the road between his cottage and the kirkyard, and it had been cut early that morning. Before daybreak Saunders had roused the lads in the bothy, and they had set to work by the light of lanterns with such good will that, when Drumsheugh came down to engineer a circuit for the funeral, there was a fair passage, with walls of snow twelve feet high on either side.
"Man, Saunders," he said, "this wes a kind thocht, and rael weel dune."
But Saunders' only reply was this: "Mony a time he's hed tae gang round; he micht as weel hae an open road for his last traivel."
When the coffin was laid down at the mouth of the grave, the only blackness in the white kirkyard, Tammas Mitchell did the most beautiful thing in all his life. He knelt down and carefully wiped off the snow the wind had blown upon the coffin, and which had covered the name, and when he had done this he disappeared behind the others, so that Drumsheugh could hardly find him to take a cord. For these were the eight that buried Dr. MacLure—Lord Kilspindie at the head as landlord and Drumsheugh at his feet as his friend; the two ministers of the parish came first on the right and left; then Burnbrae and Hillocks of the farmers, and Saunders and Tammas for the plowmen. So the Glen he loved laid him to rest.
When the bedrel had finished his work and the turf had been spread, Lord Kilspindie spoke:
"Friends of Drumtochty, it would not be right that we should part in silence and no man say what is in every heart. We have buried the remains of one that served this Glen with a devotion that has known no reserve, and a kindliness that never failed, for more than forty years. I have seen many brave men in my day, but no man in the trenches of Sebastopol carried himself more knightly than William MacLure. You will never have heard from his lips what I may tell you to-day, that my father secured for him a valuable post in his younger days, and he preferred to work among his own people; and I wished to do many things for him when he was old, but he would have nothing for himself. He will never be forgotten while one of us lives, and I pray that all doctors everywhere may share his spirit. If it be your pleasure, I shall erect a cross above his grave, and shall ask my old friend and companion Dr. Davidson, your minister, to choose the text to be inscribed."
"We thank you, Lord Kilspindie," said the doctor, "for your presence with us in our sorrow and your tribute to the memory of William MacLure, and I choose this for his text:
|
"'Greater love hath no man than this, |
Milton was, at that time, held in the bonds of a very bitter theology, and his indignation was stirred by this unqualified eulogium.
"No doubt Dr. MacLure hed mony natural virtues, an' he did his wark weel, but it wes a peety he didna mak mair profession o' releegion."
"When William MacLure appears before the Judge, Milton," said Lachlan Campbell, who that day spoke his last words in public, and they were in defence of charity, "He will not be asking him about his professions, for the doctor's judgment hass been ready long ago; and it iss a good judgment, and you and I will be happy men if we get the like of it.
"It is written in the Gospel, but it iss William MacLure that will not be expecting it."
"What is't Lachlan?" asked Jamie Soutar eagerly.
The old man, now very feeble, stood in the middle of the road, and his face, once so hard, was softened into a winsome tenderness.
|
"'Come, ye blessed of My Father |
End of Project Gutenberg's A Doctor of the Old School, Part 5, by Ian Maclaren
*** END OF THIS PROJECT GUTENBERG EBOOK A DOCTOR OF THE OLD SCHOOL, PART 5 ***
***** This file should be named 9319-h.htm or 9319-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/9/3/1/9319/
Produced by Juliet Sutherland, David Widger and PG Distributed
Proofreaders
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.net
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.